#Eventide h9 blackhole download#

Like the MicroPitch, each onboard preset has a template card that slides over the UltraTap to show you what level each of the 12 settings is at.

#Eventide h9 blackhole download#

The five onboard presets give a good indication of the range it's capable of (though there's 50 more to download via connection to Eventide's Device Manager software). This is a pedal that dives deep into ambience with its multi-tap editing the way note attack and taps can be manipulated makes the UltraTap the delay sibling to the Blackhole reverb pedal for us. Truth be told, there are a lot of delays bringing their own bespoke parameters to the market, but Eventide's depth of editing on the character of repeats here is notable. Mix and Taps (repeats) will be familiar to delay users but there's plenty here that highlights just how distinct Eventide's offering is Slurm, Chop, Spread, Taper… all suggest a new world for many of us.

(Image credit: Eventide) Performance and verdict Use the UltraTap in Mono or Stereo mode utilising one or both of the 1/4 -inch outputs. Speed, Rise, Release: Affects the Chop – Speed changes LFO speed, Rise adjusts Swell rise time and Release is for Chop Trigger – setting the amount of time after triggering before the gate kicks in and chokes off the sound.These both have 0-9 sensitivity levels you can set. The auto-volume processor will either do volume swells or a gating effect, called Trigger, that chops off the end of sounds. Chop: Pre-tap-machine chopping tremolo OR auto-volume processor with several waveform choices: Off, Triangle, Sawtooth, Ramp, Square, or a randomised sample and Hold.Slurm: Slurring/smearing/ modulation – 'Adds juicy tap slurring/smearing and modulation,' says Eventide.Tone: Negative values for darker sounding taps, positive for brighter.Taper: Controls the fade of the taps with negative values increasingly giving a fade-up over the taps and more positive giving a fade-up .More positive values will group taps towards the end for a 'speeding-up' delay sound.' Eventide states, 'More negative values (anti-clockwise from noon on the dial) will group taps towards the beginning for a 'slowing-down' feeling. Spread: This is the rhythmic spacing of the taps.Feedback: Repeats of a Length-valued delay that is fed back around the entire multi-tap machine.Pre-delay: The amount of time before the taps start, this can be set up to one second.Length: Total time over which the taps are spaced, up to 10 seconds.Taps: The number of delay taps, from 1 to 64 .Mix: The Wet/Dry mix, so fully turned up is an all wet signal.Also included are other one-of-a-kind tools like Tony Visconti’s Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer. A comprehensive and creative toolkit for music producers, mixers, and artists alike, Anthology XII features Eventide’s revolutionary Structural Effects plug-ins, SplitEQ and Physio n, which utilize transient/tonal splitting technology the radical sound manipulation of Blackhole® and Undulator authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger and Omnipressor® and the legendary reverbs of the SP2016. Anthology XII has everything you need to take your sonic story to the next level by combining award-winning, groundbreaking, inspirational effects with the most essential music production staples of the last half-century!Īnthology XII comes with 32 plug-ins designed to enhance, morph, mangle, pitch shift, re-shape, and define your sound.

The Anthology XII plug-in bundle brings Eventide’s 50 years of pioneering audio technology directly to your DAW.